Rondo based on a theme by Turlough O’Carolan
This weekend I wrote this rondo for flute, violin, acoustic guitar, and bass guitar. The recurring section (slightly altered each
This weekend I wrote this rondo for flute, violin, acoustic guitar, and bass guitar. The recurring section (slightly altered each
I began my first sonata last month. It is being scored for violin, viola, and cello. I’ve completed the exposition
I’ve just published 41 crab canons in four books. These duets are suitable for violin, flute, recorder, guitar, and other
Here’s the next one I just started, not sure if I’ll finish it tonight.
Well I got another endless canon done tonight, or at least the first draft. I think the sense of dancing
Here’s another canon for two flutes — a quicker pace than the last one — also written last weekend. It’s
Here’s another piece I wrote last weekend, a little canon for two flutes. This one’s potentially endless also. One way
Here’s a wee canon (just nine measures) I wrote last night that technically never ends; the alto of the last measure is the same as the bass in the first measure — it’s an audio ouroboros.
I deleted fragments of the third voice to declutter and get some textural variety in the beginning, I think it’s an improvement.
Just finished that fugue I started last night, but will no doubt tweak it later. It uses as its subject the first five notes of an Irish jig called “Jump at the Sun.”
In keeping with my current obsession with writing fugues based on material from Irish jigs, here’s one I started tonight
Here’s a fugue I started this evening whose subject is taken from the A part of an Irish tune called
I started this a while ago, it’s a fugue based on a traditional Irish tune called “The Salamanca Reel.” Instead